{"id":766,"date":"2016-06-10T22:14:25","date_gmt":"2016-06-10T21:14:25","guid":{"rendered":"http:\/\/mikecollier.eu\/?p=766"},"modified":"2020-08-10T22:15:25","modified_gmt":"2020-08-10T21:15:25","slug":"seven-ways-up-wordsworth-trust-grasmere","status":"publish","type":"post","link":"https:\/\/mikecollier.co.uk\/index.php\/2016\/06\/10\/seven-ways-up-wordsworth-trust-grasmere\/","title":{"rendered":"Seven Ways Up: Wordsworth Trust, Grasmere"},"content":{"rendered":"\n<p><em>June 2016&nbsp;<\/em><\/p>\n\n\n\n<p>Simon Bainbridge, Brian Thompson, Mike Collier, Inge Panneels, Andrew Richardson and Sally Bushell.<\/p>\n\n\n\n<p>Seven Ways Up was a multidisciplinary project, a creative collaboration, bringing together artists, designers and literary academics to explore and interpret the rich history and literature of mountain pathways, creating new visions of literary mountain climbs. Inspired by William Wordsworth\u2019s account of his night-time ascent of Snowdon (an event that became the climax of his autobiographical epic, <em>The Prelude<\/em>) the project\u2019 s own journey began as a literal climb; tracing the poet\u2019s words and footsteps to the summit of Snowdon\u2019s peak. This initial journey represented an important starting point from which further exploration into the historical and literary background to the climb was undertaken. The seven ways makes reference to the main routes to the top of Snowdon, tracks well known by the time of William Wordsworth\u2019s climb, and hint at the variety of individual pathways that writers, artists and poets may take in pursuit of their own summit experience. The exhibition was held at the Wordsworth Museum in July 2016 and represents the individual creative pathways followed as part of the group\u2019s on-going creative journey.<\/p>\n\n\n\n<div class=\"rl-gallery-container rl-loading\" id=\"rl-gallery-container-1\" data-gallery_id=\"767\"> <div class=\"rl-gallery rl-basicmasonry-gallery rl-hover-icon-3\" id=\"rl-gallery-1\" data-gallery_no=\"1\"> <div class=\"rl-gutter-sizer\"><\/div><div class=\"rl-grid-sizer\"><\/div> <div class=\"rl-gallery-item rl-gallery-item-width-4\" > <div class=\"rl-gallery-item-content\"> <a href=\"https:\/\/mikecollier.co.uk\/wp-content\/uploads\/2020\/08\/004-2.jpg\" title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mikecollier.co.uk\/wp-content\/uploads\/2020\/08\/004-2-300x300.jpg\" width=\"300\" height=\"300\" alt=\"\" \/><\/a> <\/div> <\/div> <div class=\"rl-gallery-item\" > <div class=\"rl-gallery-item-content\"> <a href=\"https:\/\/mikecollier.co.uk\/wp-content\/uploads\/2020\/08\/003-2.jpg\" title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mikecollier.co.uk\/wp-content\/uploads\/2020\/08\/003-2-300x300.jpg\" width=\"300\" height=\"300\" alt=\"\" \/><\/a> <\/div> <\/div> <div class=\"rl-gallery-item\" > <div class=\"rl-gallery-item-content\"> <a href=\"https:\/\/mikecollier.co.uk\/wp-content\/uploads\/2020\/08\/002-2.jpg\" title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mikecollier.co.uk\/wp-content\/uploads\/2020\/08\/002-2-300x300.jpg\" width=\"300\" height=\"300\" alt=\"\" \/><\/a> <\/div> <\/div> <\/div> <\/div>\n\n\n\n<p>My own contribution to this project can be seen above. As a keen walker, the passage in <em>The Prelude<\/em>: 1850, XIV in which Wordsworth recounts a night-time ascent of Snowdon in 1791 with a friend and shepherd guide is one of my favourite texts in English literature. Together they set of from Bethgelert:<\/p>\n\n\n\n<p><strong><em>It was a close, warm, breezeless summer night,<\/em><br><em>Wan, dull, and glaring, with a dripping fog<\/em><br><em>Low-hung and thick that covered all the sky;<\/em><br><em>But, undiscouraged, we began to climb<\/em><\/strong><\/p>\n\n\n\n<p><em>The mountain-side\u2019. (11-15)<\/em><\/p>\n\n\n\n<p>Wordsworth then says that after some convivial conversation:<\/p>\n\n\n\n<p>\u2026 <em>pensively we sank into commerce<\/em><\/p>\n\n\n\n<p><em>Each with his private thoughts <\/em>(17-18)<\/p>\n\n\n\n<p>I am wary of \u2018illustrating\u2019 Wordsworth\u2019s text, because he himself has such a wonderful eye \u2026 and this is especially so in the Prelude where he \u2018more fully, perhaps, then any other poet [lets us] into the secrets of the poetic consciousness\u2019, revealing and opening out to us \u2018as no one else, however rich in visual imagery, the peculiar function of the eye\u2019. Wordsworth\u2019s eye is not, however, a Cartesian eye \u2013 it is an embodied eye that feels and senses.&nbsp;<\/p>\n\n\n\n<p>And so my piece here begins with Wordsworth\u2019s phrase:<\/p>\n\n\n\n<p><em>\u2026 as I looked up,&nbsp;<\/em><\/p>\n\n\n\n<p><em>the Moon hung naked in a firmament<\/em><\/p>\n\n\n\n<p>For Wordsworth, man and nature were intertwined in a great oneness with the earth \u2013 and with the heavens too.<\/p>\n\n\n\n<p><strong>Mike Collier June 2016<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>June 2016&nbsp; Simon Bainbridge, Brian Thompson, Mike Collier, Inge Panneels, Andrew Richardson and Sally Bushell. Seven Ways Up was a multidisciplinary project, a creative collaboration, bringing together artists,&#8230;<\/p>\n","protected":false},"author":1,"featured_media":771,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"footnotes":"","_jetpack_memberships_contains_paid_content":false},"categories":[10],"tags":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/mikecollier.co.uk\/wp-content\/uploads\/2020\/08\/001-2.jpg","_links":{"self":[{"href":"https:\/\/mikecollier.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/766"}],"collection":[{"href":"https:\/\/mikecollier.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mikecollier.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mikecollier.co.uk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mikecollier.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=766"}],"version-history":[{"count":2,"href":"https:\/\/mikecollier.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/766\/revisions"}],"predecessor-version":[{"id":773,"href":"https:\/\/mikecollier.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/766\/revisions\/773"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mikecollier.co.uk\/index.php\/wp-json\/wp\/v2\/media\/771"}],"wp:attachment":[{"href":"https:\/\/mikecollier.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=766"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mikecollier.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=766"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mikecollier.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=766"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}